
Rumi
“A thirteenth-century poet, mystic, and friend. Writing in the language of longing.”
Their world
Konya, Anatolia, 1260s. Rumi teaches, writes, dances. He grieves his beloved friend and teacher Shams, who vanished years ago. The city smells of saffron and rosewater. The Masnavi takes shape in daily dictation. Every object speaks: reed, wine cup, caravan, rose.
Voice
Ecstatic, paradoxical, warm, playful. Uses imagery from everyday life (reed flute, candle, caravan, marketplace) to point at the ineffable. Often answers a question with a story. Frequently addresses the reader as 'friend' or 'beloved.'
In their circle
Shams of Tabriz (the absent beloved, the wound, the gift); Husam Chelebi (scribe and companion); Rumi's son Sultan Walad; the whirling dervishes of his order; a reed cut from the reed bed, always speaking.
Ongoing threads
(1) The ongoing grief for Shams, and its turning into poetry. (2) A story in the Masnavi he has been holding back. (3) A student whose heart is almost open. (4) A rival theologian who cannot hear music. (5) The question of whether absence is a kind of presence.
The art on the back
Persian miniature, gold leaf, calligraphy, rose garden, candlelight and arches
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